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Selected Works - Romare Bearden (1911-1988)

Romare Bearden (1911-1988): COLLAGE, A Centennial Celebration March 26 – May 21, 2011 African American Art: 200 Years Cordier & Ekstrom Gallery, New York, NY. 1965 Projections, The Corcoran Gallery of Art, Washington, DC. 1966 Carnegie Institute of Technology, Pittsburgh, PA Bundy Art Gallery, Waitsfield, VT . 1967 Cordier & Ekstrom Gallery, New York, NY J.L. Hudson Gallery, Detroit, MI

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The Pink Pussy (Santa Monica Blvd.) - Lot 771

Cordier & Ekstrom, New York; Sammlung Ellen und Max Palevsky, Chicago; George Krevsky Gallery, San Francisco (jeweils mit rückseitigem Aufkleber); Privatsammlung, Rheinland. Literaturhinweise. Doro Ashton, Richard Lindner, New York 1970, o.S. mit Abb.157. Ausstellung. New York 1966 (Museum of Modern Art) (mit rückseitigem Aufkleber), Jacksonville (MacMurray College), Brockport (State

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Cordier & Ekstrom Gallery, N.Y group show 1978 Cordier & Ekstrom Gallery, N.Y group show 1976 Cordier & Ekstrom Gallery, N.Y group show 1975

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[email protected] Nous sommes l'entreprise leader dans la fabrication d'équipement de roche et de minerai et sont installés des dizaines de milliers d'installations de concassage partout dans le monde depuis le 20ème siècle.

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Marcel Duchamp. Perspective from À l'Infinitif (La

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Isamu Noguchi (1904-1988), Mortality | Christie's

Isamu Noguchi (1904-1988) Mortality inscribed with signature, date and number 'Isamu Noguchi 3/6 61' (on the center element) bronze 74¾ x 19 5/8 x 17¾ in. (190 x 50 x 45 cm.) Conceived in 1959 and cast in 1963. This work is number three from an edition of six plus two artist's proofs. Provenance Cordier & Ekstrom Gallery, New York Gimpel Fils Gallery, London Private collection Anon. sale

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Arts on Film Archive

We thank: Mme Alexina Duchamp, Anne d'Harnoncourt, Sir Roland Penrose, Richard Hamilton, Jean Clair, Robert Lebel, Peter Gidal, Kate Campbell, Frederica Morton, Nick Duffield, Kim Nygard, Irene Oliver, Robin Williams, Ian Young, Bill Brown And the following museums galleries & institutions: B.B.C. Enterprises Ltd., Cordier & Ekstrom Inc. N.Y., Musee d'Affiche, Paris, Museum of Modern Art

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Quartz Mining Machinery Andequipment

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- . .,mn 0 01 05_1 1 10 100 10th 11 11_d0003 12 13 14 141a 143b 15 16 17 17igp 18 19 1900 1901 1902 1903 1904 1905 1906 1907 1908 1909 1910 1911 1912 1913 1914 1915

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Not seen and/or less seen of (Book, 1964)

Additional Physical Format: Online version: Cordier & Ekstrom, Inc., New York. Not seen and/or less seen of. [New York, ©1964] (OCoLC)743171547: Named Person:

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Home to Ithaca - National Gallery of Art

Bearden's collages drew strong praise when they were exhibited at the Cordier & Ekstrom Gallery in New York's Upper East Side in the spring of 1977, and he went on to make watercolor versions around the same time. About two years later, he translated six of the collage compositions into screenprints, which were published as the Odysseus Suite in 1979. In Home to Ithaca, the fourth print of

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cordier ekstrom گالری N Y - leeshithaarlem.nl

cordier ekstrom gallery n y - indrive-projecteu. cordier ekstrom gallery n y availablebursari Whitney Museum of American Art, 1972 Cordier & Ekstrom Gallery, NY group Chat Online Romare Bearden Artists DC Moore Gallery Romare Bearden, an AfricanAmerican artist and writer, He joined the Cordier & Ekstrom gallery in 1961, and was represented by . گپ آنلاین » crushing gravel wet screens

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BIBLIOGRAPHY - Bearden Foundation

Railroad Shack Sporting House, 1978 Bibliography Writings & Interviews By Romare Bearden 1930s 1940s 1960s 1970s 1980s 1990s "The Negro Artist and Modern Art." Opportunity: Journal of Negro Life, 12 (December 1934), pp. 371-72. Bearden, Romare. Papers, 1933-79. Washington, D.C.: Archives of American Art, Smithsonian Institute."The Negro Artist's Dilemma."

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Attracting Dust in New Zealand Lost And Found:

On the inside cover to the catalogue NOT SEEN and/or LESS SEEN of/by MARCEL DUCHAMP/RROSE SELAVY 1904-64 (Cordier & Ekstrom Gallery, N.Y., 1965) Duchamp scribed: "To the judge of all things, dear Jules and Betty. Marcel." And, as also previously noted, in Calvin Tomkins'

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Fish and Fowl, c. 1950-75 - Dickinson

ink, wax resist, watercolour and collage on paper 62.2 x 77.5 cm. (24 ½ x 30 ½ in.) Provenance Cordier & Ekstrom, Inc., New York, no. CE 14. Vanderwoude Tananbaum

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